Alfred was here (2025), a cyclone story at the VCA Grad Show, burrows into weather data and borrows from Caspar David Friedrich’s The sea of ice.
Too long; didn’t read. Face to face……I feel your pain (2025) translates the urgency of clickbait into the dry slow tempo of oil paint.
Bucket list (2024), Cartcrash or cartography? The impermanence of borders and nations.
Tourist gets refugee needs (2024), or do they? Double-sided painting of dialectic word pairs.
Polarised (2024), a post-Apocalypse real estate scam.
Half life (2023), life after AUKUS - Vasili Arkhipov (left) and 1945—- (right)
Tres minutos en Tijuana y San Diego (2023), street view video of a place I’ve never been: both sides of the US/Mexico border.
………….est (2024), superlatives of the climate crisis
It came to me (2023), found objects, courtesy of the global trade network.
Salt (2021), started with imagery in Jordan (top), then merged into the Australian bushfires of 2019 with Scenic Rim (2020) (lower).
Ubereaten (2020), Covid-era road warriors: nothing stops the pizza.